This book, which accompanies a major retrospective of the artist's work at the Musee d'art moderne de la Ville de Paris, shows how Bonnard's contribution to a 'modern' conception of painting makes him a decisive figure in the history of twentieth-century art.
Pierre Bonnard (1867-1947) is among the grea artists whose work undoubtedly marked the twentieth century. This book, which accompanies a major retrospective of the artist's work at the Musee d'art moderne de la Ville de Paris, shows how Bonnard's contribution to a 'modern' conception of painting makes him a decisive figure in the history of twentieth-century art.Starting from the turn of the century, and from the change that moment represented in Bonnard's work, the book looks at some of the recurrent themes in the artist's work - the nude, landscapes,terraces and windows, and self-portraits - and reveals an ongoing re-invention of his vision, drawing from his Nabi experience and leading the painter to the very brink of abstraction.Including essays by a cast of distinguished writers,new interviews with those who knew Bonnard or whose work has been influenced by him,unpublished archival photographs and diary drawings, and full-colour reproductions of 100 paintings, this book provides a major reassessment of the artist's contribution to the history of modernism, as well as a beautifully produced record of his life and work.
Suzanne Page
 Introduction the work of art, suspending time
ESSAYS
 Yve-Alain Bois
 Bonnard's "passivity"
 Sarah Whitfleld
 A question of belonging
 Georges Roque
 Surface, its colour and its "laws"
 Jacqueline Munck
 Bonnard, by default
 Franois Michaud
 "Drawing with a light hand, shapes of shadows"
 Michel Frizot
 Pierre's stupefaction: the window of photography
CATALOGUE
RECOLLECTIONS, INTERVIEWS
 Henri Cartier-Bresson
 Dina Vierny
 Karel Appel
 John M. Armleder
 Peter Doig
 Giuseppe Penone
MORE ABOUT 
 Misia Sert's dining room, by Gloria Groom
 The Morozov commission, by Albert Kostenevich
 Bonnard's "Bathers", by Linda Nochlin
 Bonnard and La Revue blanche, by Yves Kobry
 Bonnard "du cete de chez Proust", by Michel Makarius
 Deferrals/Endings, by Deepak Ananth
CHRONOLOGY
 Pierre Bonnard with his Swiss friends, Arthur and Hedy Hahnloser,
 by Margrit Hahnloser-lngold
 Duncan Phillips and Pierre Bonnard
 by Elizabeth Hutton Turner
APPEN DICES
 Technical notes
 Selective bibliography
 Major exhibitions