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电影 不坏的白珠(1929)
内容
◎片名:不坏的白珠
◎又名:Undying Pearl/Eternal Heart/不壊の白珠
◎年份:1929
◎类型:剧情
◎导演:清水宏
◎制片人:
◎编剧:菊池宽
◎主演:八雲恵美子/高田稔/及川道子/滝口新太郎
◎制片国家/地区:日本
◎IMDB:tt0335110
◎语言:silent
◎片长:110min
◎上映时间:1929
◎出品公司:
◎发行公司:
◎全球票房:
◎国内票房:
◎剧情简介:
战前日本最重要的无声电影之一。   This resolution recurs in several of Hiroshi Shimizu's silent films, of which Eternal Heart (Fuei no Shiratama, 1929) was shown at Pordenone. This film examines different aspects of modernity through the personalities of two sisters. The elder is in love with Mr Narita, but he marries the younger, only to find that she neglects him and spends her time attending parties and drinking. Thus summarised, one might read the film as essentially conservative - an indictment of a "modern" woman who fails in her wifely duties. But the older sister also personifies an aspect of modernity, since she works as a typist in a Tokyo office. Courted by her boss, she is introduced to his children, who speak scathingly of her profession, and criticise the morality of working women. Here, Shimizu's sympathies are clearly with the modern, professional woman against the spoilt and judgemental upper class. The film's intelligence, in fact, lies in its ambivalent attitude to the modern - an ambivalence that one can trace through Shimizu's later and finer silent films. Unfortunately, the narrative resolution is unsatisfactory; the hero's departure from Japan and the heroine's marriage to her boss fail to answer the problems that the film has posed. The final escape seems a contrivance, though it may be that this failing is to be blamed on Kikuchi Kan, author of the original novel, rather than Shimizu.   http://www.midnighteye.com/features/pordenone-silent-film-festival-2005.shtml
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标签
缩略图
片名 不坏的白珠
又名 Undying Pearl/Eternal Heart/不壊の白珠
年份 1929
导演 清水宏
编剧 菊池宽
主演 八雲恵美子/高田稔/及川道子/滝口新太郎
剧情简介 战前日本最重要的无声电影之一。   This resolution recurs in several of Hiroshi Shimizu's silent films, of which Eternal Heart (Fuei no Shiratama, 1929) was shown at Pordenone. This film examines different aspects of modernity through the personalities of two sisters. The elder is in love with Mr Narita, but he marries the younger, only to find that she neglects him and spends her time attending parties and drinking. Thus summarised, one might read the film as essentially conservative - an indictment of a "modern" woman who fails in her wifely duties. But the older sister also personifies an aspect of modernity, since she works as a typist in a Tokyo office. Courted by her boss, she is introduced to his children, who speak scathingly of her profession, and criticise the morality of working women. Here, Shimizu's sympathies are clearly with the modern, professional woman against the spoilt and judgemental upper class. The film's intelligence, in fact, lies in its ambivalent attitude to the modern - an ambivalence that one can trace through Shimizu's later and finer silent films. Unfortunately, the narrative resolution is unsatisfactory; the hero's departure from Japan and the heroine's marriage to her boss fail to answer the problems that the film has posed. The final escape seems a contrivance, though it may be that this failing is to be blamed on Kikuchi Kan, author of the original novel, rather than Shimizu.   http://www.midnighteye.com/features/pordenone-silent-film-festival-2005.shtml
上映时间 1929
影片类型 剧情
内地上映时间
出品国家/地区 日本
首映日期
首映地区
语言 silent
时长 110min
色彩
版本
声效
评分
制作机构
出品机构
发行机构
获奖信息
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国内票房
制片人
其他机构
幕后花絮
演职人员
导赏
集数
单集片长
分集剧情
IMDb tt0335110
海报
剧照
档案影像
主题曲
歌曲 歌手 在线试听
原著
基本信息
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幕后制作
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