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新巴比伦（1929）

内容

◎片名：新巴比伦
◎又名：The New Babylon
◎年份：1929
◎类型：剧情/历史
◎导演：格里高利·柯静采夫/列昂尼德·塔拉乌别尔格
◎制片人：
◎编剧：格里高利·柯静采夫/列昂尼德·塔拉乌别尔格
◎主演：DavidGutman/叶莲娜·库兹敏娜/安德烈·科斯特里奇金/索菲娅·马加里尔/A.Arnold/谢尔盖·格拉西莫夫/叶夫根尼·切尔维亚科夫/彼得·索博列夫斯基
◎制片国家/地区：苏联
◎IMDB：tt0020230
◎语言：俄语
◎片长：120 分钟 / 93 分钟(2004th restored Version) / West Ger
◎上映时间：1929-03-18
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
The New Babylon is a metaphorical clash of glittering surfaces and deep social cynicism that marked the climax of Grigori Kozintsev and Leonid Trauberg's experimentations with the conventions of the Soviet silent cinema. Taking their thematic inspiration from the story of the Paris Commune of 1871, the two directors fashioned a highly conceptualized allegory of social strata under pressure that transcends its historical roots to form a sardonic comment on the human condition. 　　The music, by Dimitry Shostakovitch, is also integral to the film's narrative structure. Normally in film, the music serves to compliment or amplify the visual image. The relationship is one of conjunction. In The New Babylon, however, Shostakovitch creates a relationship through the opposition of sound and image. In the music hall scene, for example, the composer interfaces components of the "can-can" and the "Marseillaise" with the vulgar spectacle of the pageant to form a musical comment on the French middle class. 　　Although the avant-garde aspects of The New Babylon caused it to fall somewhat in disfavor during the regime of Josef Stalin, it is precisely those elements that cause it to remain of interest today. Although ranking somewhat below the pioneering efforts of Sergei Eisenstein and Vsevolod Pudovkin whose theories greatly influenced its creation, The New Babylon still represents an innovative use of the cinema and one of the highpoints of the Soviet silent cinema.
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标签

缩略图

片名

新巴比伦

又名

The New Babylon

年份

1929

导演

格里高利·柯静采夫/列昂尼德·塔拉乌别尔格

编剧

格里高利·柯静采夫/列昂尼德·塔拉乌别尔格

主演

DavidGutman/叶莲娜·库兹敏娜/安德烈·科斯特里奇金/索菲娅·马加里尔/A.Arnold/谢尔盖·格拉西莫夫/叶夫根尼·切尔维亚科夫/彼得·索博列夫斯基

剧情简介

The New Babylon is a metaphorical clash of glittering surfaces and deep social cynicism that marked the climax of Grigori Kozintsev and Leonid Trauberg's experimentations with the conventions of the Soviet silent cinema. Taking their thematic inspiration from the story of the Paris Commune of 1871, the two directors fashioned a highly conceptualized allegory of social strata under pressure that transcends its historical roots to form a sardonic comment on the human condition. 　　The music, by Dimitry Shostakovitch, is also integral to the film's narrative structure. Normally in film, the music serves to compliment or amplify the visual image. The relationship is one of conjunction. In The New Babylon, however, Shostakovitch creates a relationship through the opposition of sound and image. In the music hall scene, for example, the composer interfaces components of the "can-can" and the "Marseillaise" with the vulgar spectacle of the pageant to form a musical comment on the French middle class. 　　Although the avant-garde aspects of The New Babylon caused it to fall somewhat in disfavor during the regime of Josef Stalin, it is precisely those elements that cause it to remain of interest today. Although ranking somewhat below the pioneering efforts of Sergei Eisenstein and Vsevolod Pudovkin whose theories greatly influenced its creation, The New Babylon still represents an innovative use of the cinema and one of the highpoints of the Soviet silent cinema.

上映时间

1929-03-18

影片类型

剧情/历史

内地上映时间

出品国家/地区

苏联

首映日期

首映地区

语言

俄语

时长

120 分钟 / 93 分钟(2004th restored Version) / West Ger

色彩

版本

声效

评分

7.9分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0020230

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

角色介绍

幕后制作

预告片&花絮

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