《约束之地》1973电影票房、全集剧情、豆瓣网盘bt迅雷下载、在线免费观看高清完整版-兰台网

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约束之地（1973）

内容

◎片名：约束之地
◎又名：The Promised Land
◎年份：1973
◎类型：剧情
◎导演：MiguelLittin
◎制片人：
◎编剧：米盖尔·里廷
◎主演：PedroManuelálvarez/CarmenBueno
◎制片国家/地区：古巴 / 智利
◎IMDB：tt0140620
◎语言：
◎片长：80 分钟
◎上映时间：1973-07(
◎出品公司：
◎发行公司：
◎全球票房：
◎国内票房：
◎剧情简介：
Miguel Littin离开智利之前拍的最后一部片，历史革命题材，由于73年政变爆发时影片还未完成，直到一年后他在古巴拍完了最后场景。当然影片在智利国内被禁直至独裁垮台，05年洛衫机拉美电影节最佳影片。　　The coup d'etat, which in September 1973 dismantled the film production infrastructure in Chile, suspended only momentarily the activity of filmmakers who since 1956 had worked towards the construction of a national cinema. Filmmakers, technicians, actors and critics left the country, among thousands of Chilean refugees. Projects which had been started during the three year period of the Popular Unity government had to be finished in exile. 　　Films like Miguel Littin's LA TIERRA PROMETIDA (The Promised Land, 1972-1974) and Patricio Guzmán's LA BATALLA DE CHILE (The Battle of Chile, 1972-1979) confirmed that Chilean filmmakers were committed to continuing their work as militants and artists. These two films, among many others, played an important role in the solidarity campaign that mobilized groups and individuals throughout the world. 　　Since 1974, 155 films have been produced by Chilean filmmakers living in 16 different countries.[1] The quantity and quality of some of these films made in exile since 1974 have prompted me to undertake a long term research project to study the peculiarities and characteristics of this unique phenomenon in the history of Latin American cinema. The diversity and energy of some films, shown mainly in festivals, retrospectives and special programs, raise interesting questions related to nationally oriented cultural production outside of its natural borders.
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◎获奖情况：

标签

缩略图

片名

约束之地

又名

The Promised Land

年份

1973

导演

MiguelLittin

编剧

米盖尔·里廷

主演

PedroManuelálvarez/CarmenBueno

剧情简介

Miguel Littin离开智利之前拍的最后一部片，历史革命题材，由于73年政变爆发时影片还未完成，直到一年后他在古巴拍完了最后场景。当然影片在智利国内被禁直至独裁垮台，05年洛衫机拉美电影节最佳影片。　　The coup d'etat, which in September 1973 dismantled the film production infrastructure in Chile, suspended only momentarily the activity of filmmakers who since 1956 had worked towards the construction of a national cinema. Filmmakers, technicians, actors and critics left the country, among thousands of Chilean refugees. Projects which had been started during the three year period of the Popular Unity government had to be finished in exile. 　　Films like Miguel Littin's LA TIERRA PROMETIDA (The Promised Land, 1972-1974) and Patricio Guzmán's LA BATALLA DE CHILE (The Battle of Chile, 1972-1979) confirmed that Chilean filmmakers were committed to continuing their work as militants and artists. These two films, among many others, played an important role in the solidarity campaign that mobilized groups and individuals throughout the world. 　　Since 1974, 155 films have been produced by Chilean filmmakers living in 16 different countries.[1] The quantity and quality of some of these films made in exile since 1974 have prompted me to undertake a long term research project to study the peculiarities and characteristics of this unique phenomenon in the history of Latin American cinema. The diversity and energy of some films, shown mainly in festivals, retrospectives and special programs, raise interesting questions related to nationally oriented cultural production outside of its natural borders.

上映时间

1973-07(

影片类型

剧情

内地上映时间

出品国家/地区

古巴 / 智利

首映日期

首映地区

语言

时长

80 分钟

色彩

版本

声效

评分

制作机构

出品机构

发行机构

获奖信息

拍摄地

票房成绩

国内票房

制片人

其他机构

幕后花絮

演职人员

导赏

集数

单集片长

分集剧情

IMDb

tt0140620

海报

剧照

档案影像

主题曲

歌曲		歌手	在线试听

原著

基本信息

角色介绍

幕后制作

预告片&花絮

改编来源

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