Before there were cell phones and before I had a telephone in my office at the university,Jim would say, "You passed the test, Marj. Miss Eikerman telephoned you at home last night and you were at school in the studio working." My mentor, Professor Alma Eikerman, and I stayed in contact for all the years after I finished the Indiana University graduate jewelry program. Eikerman wrote frequently and sometimes called. Although I did not like to miss her calls, it was good that I was working. Along with teaching aesthetics, drawing,techniques, and jewelry history, she taught us about self-discipline and the importance of hard work. As graduate students, we kept time sheets of when we were in the studio and she checked them often.

Marjorie Schick

ACKNOWLEDGEMENTS

Tacey A. Rosolowski

MARJORIE SCHICK: CROSSING BOUNDARIES

EXPANDING THE REACH OF FORM

SELECTED WORKS

Helen Shirk

INITIATION

Paul J. Smith

A TRIBUTE

Glen R. Brown

ABSENCE AND SELF-AWARENESS: INVERTING THE SPACE OF SCULPTURE

Elizabeth Goring

MARJORIE SCHICK AND BRITAIN

Suzanne Ramljak

INSIDE OUT: WEARING MAR]ORIE SCHICK'S SCULPTURE

Paul Derrez

MARJORIE SCHICK: MAGIC AND SPIRIT

Helen Williams Drutt English

AN ADVENTUROUS SOUL

OEUVRE CATALOG

Fritz Falk

EPILOGUE: A QUESTION OF DIMENSION AND DEFINITION

APPENDIX

Signifiers: Artist Statements

Timeline

Professional Background

Works in Public Collections

Professional Awards and Distinctions

Exhibitions

Bibliography

Authors' Biographies

German Translations