Deaver is bound to slip up sometime. But not this time. This novel, which follows on the heels of Sleeping Doll (2007), again stars California Bureau of Investigation agent Kathryn Dance and, like its predecessor, is tightly constructed with a suspenseful story and plenty of plot twists. Deaver, perhaps more than any other crime writer, is able to fool even the most experienced readers with his right-angle turns, and this story of a serial killer who uses social networks to find his prey is full of them. Deaver’s investigators are very good at their jobs, and in order to fool them (and us), he must be exceedingly clever, as well as just a little bit deceitful (having characters say things that turn out not to be true, for example, even though they believed the things when they said them).

Tony Award–winning actress Michele Pawk nicely captures the inner monologues of Deaver's protagonist Kathryn Dance, the California Bureau of Investigation's leading kinesics expert. Dance's remarkable sixth sense concerning the truthfulness of suspects and witnesses becomes a double-edged sword in her social interactions with co-workers and family members, and Pawk's portrayal of the widowed detective's angst on the fledgling romantic front rings especially true. Pawk's rendering of the dialogue proves to be her weak point: the voices of older teen boys, especially Travis Brigham, the young man at the center of the story, continually quiver into higher octaves more suitable to preadolescent males. While the listener never loses touch with the essence of Dance, others in her path come to life with varying degrees of success. A Simon & Schuster hardcover.