良渚文化遗址中大量玉器的出土，使玉器几乎成为了良渚文化的代名词。玉器是良渚先民所创造的物质文化和精神文化的精髓。良渚文化玉器达到了中国史前文化的高峰，其数量之众多、品种之丰富、雕琢之精湛，在同时期中国乃至环太平洋地区拥有制玉传统的部族中，独占鳌头。而其深厚的历史文化底蕴，更给世人带来了无限的遐想。同时对后世也产生了较为深远的影响。Liu Bin、Ma Dongfeng编著的《LIANGZHU JADES(精)》收录了出土的良渚玉器以供读者鉴赏。

Preface Yan Wenming
Introduction Fang Xiangming/Xia Yong/Chen Minghui
I Sacred motif-complete image and its transformation
I-1 Sacred motif
I-2 Dragon head motif
Ⅱ Funeral rites of the king-actor of the god
Ⅱ-1 Head ornament
Ⅱ-2 Necklace ormament
Ⅱ-3 Arm bracelet
Ⅱ-4 Other ornament
Ⅲ Cong-the theocracy and the cosmology,heaven and earth
Ⅲ-1 Cong
Ⅲ-2 Cong-stylistic tube
Ⅲ-3 Cong-stylistic awl-shaped object
Ⅲ-4 Cong-stylistic cylindrical object
Ⅳ Bi-the symbol of wealth
V Jade yue and sceptre
V-1 Jade yue sceptre
V-2 Luxurious sceptre
V-3 Other sceptre
VI Jade ritual utensils
Ⅵ-1 Spindle whorl and loom
VI-2 Jade implement
Ⅵ-3 Spoon food utensil
Ⅵ-4 Jade inlaid wooden blank lacquer
Appendix
The burial plan and the line graph of the main objects
of Yaoshan and Fanshan
Postscript